Socialism with a human face
Thursday evening, along with my fellow volunteers at The Museum of Russian Art, I was treated to a special advance walkthrough of the new Geli Korchev exhibit that is getting much publicity. You might want to check out articles in Mpls St. Paul magazine or the StarTribune too, but I'll give it to you firsthand, from an inside-the-museum viewpoint.
Korchev is certainly one of the best, and most famous, of a long line of wonderful painters in Russia; part of generations of formal, disciplined teaching by older, well-known artists in state-supported programs. TMORA almost always has one or two Korchev paintings on display at any time, and I've become an admirer of his work over the past several years. So much so that I created my own Korchev web page many months ago, with images gathered from all over the web. Many of the images on that site will be seen live in the new Korchev exhibit "Raising the Banner". Most of the paintings are huge, so images on-screen pale by comparison with seeing the original canvas.

This exhibit is first in a number of ways: the first single-artist exhibit by TMORA, the first Korchev retrospective outside Russia, and probably the first exhibit dedicated just to Korchev anywhere, including the state museums in Russia. It took TMORA and curator Masha Bulanova two years to put this exhibit together, and Bulanova spent many hours speaking with Korchev (now 83) to get very special insights into his art and attitudes... and he is not short on attitudes.
Even though Korchev is, ideologically, a communist, supported by the state, was an official in the Union of Soviet Artists, and was responsible for implementing Communist Party policy to other artists, he continually pushed the limits of what the party wanted art to portray. Much of his work is clearly critical of government and the enormous price the Russian people paid because of it. He portrays the long-suffering individuals of a totalitarian empire, and shows us their strength and dramatic survival skills.
Korchev's art is gritty, often tragic, but his subjects are powerful and determined to survive. They are not always successful, but they strive. He paints individuals, "strong men and women facing critical moments in their lives". One telling section of his art is a series on Don Quixote, a symbolic hero with great moral strength. Another series of provocative paintings are the Tyurlikis (mutants) which reflect his disappointment with the dishonesty of Russian leaders.
The Russian people have a very long tradition of enduring, of striving and often succeeding under the worst of circumstances. Overcoming hardship, ghastly governmental oppression and corruption and pomposity, they have managed to hang on to basic human values. If one needs proof of the old adage "if it doesn't kill you, it will make you stronger", one need look no further than the Russian people. Korchev shows us those qualities in his paintings, and he does so dramatically.
I was, long ago, an university art student, excited about learning the skills to produce my own commentary on life. That excitement was dashed on the shoals of "modern" art, of non-representational images that could be, and have been, produced by "artists" with little talent or thought, except the devious understanding that if they produced works that represented nothing in fact or intent, that other equally untalented people would buy them and pretend to "comprehend the incomprehensible".
Korchev's painting are understandable... their message is clear and moving to all who view them. They are works of art, clear and powerful communications from Korchev to any viewer. His work is an inspiration, a revelation, that should be seen by all those who value communication, skill, and deep emotions. They should be revered by all of us who appreciate the greatness of human strength and achievement.
If, between now and January 5th of next year, you have the slightest opportunity to visit The Museum of Russian Art, I urge you not to miss it. Personally, I thank TMORA for the vision and audacity to pull together such an exhibit. I'm honored to volunteer for such an organization (that incidentally, operates without tax money of any kind).
Korchev is certainly one of the best, and most famous, of a long line of wonderful painters in Russia; part of generations of formal, disciplined teaching by older, well-known artists in state-supported programs. TMORA almost always has one or two Korchev paintings on display at any time, and I've become an admirer of his work over the past several years. So much so that I created my own Korchev web page many months ago, with images gathered from all over the web. Many of the images on that site will be seen live in the new Korchev exhibit "Raising the Banner". Most of the paintings are huge, so images on-screen pale by comparison with seeing the original canvas.

This exhibit is first in a number of ways: the first single-artist exhibit by TMORA, the first Korchev retrospective outside Russia, and probably the first exhibit dedicated just to Korchev anywhere, including the state museums in Russia. It took TMORA and curator Masha Bulanova two years to put this exhibit together, and Bulanova spent many hours speaking with Korchev (now 83) to get very special insights into his art and attitudes... and he is not short on attitudes.
Even though Korchev is, ideologically, a communist, supported by the state, was an official in the Union of Soviet Artists, and was responsible for implementing Communist Party policy to other artists, he continually pushed the limits of what the party wanted art to portray. Much of his work is clearly critical of government and the enormous price the Russian people paid because of it. He portrays the long-suffering individuals of a totalitarian empire, and shows us their strength and dramatic survival skills.
Korchev's art is gritty, often tragic, but his subjects are powerful and determined to survive. They are not always successful, but they strive. He paints individuals, "strong men and women facing critical moments in their lives". One telling section of his art is a series on Don Quixote, a symbolic hero with great moral strength. Another series of provocative paintings are the Tyurlikis (mutants) which reflect his disappointment with the dishonesty of Russian leaders.
The Russian people have a very long tradition of enduring, of striving and often succeeding under the worst of circumstances. Overcoming hardship, ghastly governmental oppression and corruption and pomposity, they have managed to hang on to basic human values. If one needs proof of the old adage "if it doesn't kill you, it will make you stronger", one need look no further than the Russian people. Korchev shows us those qualities in his paintings, and he does so dramatically.
I was, long ago, an university art student, excited about learning the skills to produce my own commentary on life. That excitement was dashed on the shoals of "modern" art, of non-representational images that could be, and have been, produced by "artists" with little talent or thought, except the devious understanding that if they produced works that represented nothing in fact or intent, that other equally untalented people would buy them and pretend to "comprehend the incomprehensible".
Korchev's painting are understandable... their message is clear and moving to all who view them. They are works of art, clear and powerful communications from Korchev to any viewer. His work is an inspiration, a revelation, that should be seen by all those who value communication, skill, and deep emotions. They should be revered by all of us who appreciate the greatness of human strength and achievement.
If, between now and January 5th of next year, you have the slightest opportunity to visit The Museum of Russian Art, I urge you not to miss it. Personally, I thank TMORA for the vision and audacity to pull together such an exhibit. I'm honored to volunteer for such an organization (that incidentally, operates without tax money of any kind).


